A compulsory gift or offering, especially to a guest, host or ambassador.
A compulsory gift or offering, especially to a guest, host or ambassador.
Welcome back to Hopeless, Dear Reader! This, my third installment about the brilliance of Nimue and Tom Brown, is part of a blog tour to celebrate the release of Hopeless, Maine – The Gathering. So hop on and get a glimpse of what Hopeless has to offer!
Hopeless is a strange, gothic island off the coast of Maine, cut off from the rest of reality for the greater part. Hopeless Maine is also a graphic novel series, the peculiar child of Tom and Nimue Brown. Here’s a little taste of island life:
Residents of the island Hopeless Maine call these creatures ‘creepy and annoying’ when they notice them at all. Agents of Change is more a description of what they are, than anything they’ve ever had said to their ominous absence of faces. The Agents tend to gather in flocks, and mob other life forms. They don’t kill their victims, but anything in contact with them will be affected in some way. They may be the cause of the island’s many oddities.
Cooking instructions: Don’t. Cooking does not cause them to cease being agents of change, you really don’t want to risk what that might do to your innards. A popular ingredient in food for unloved relatives.
Collecting the first two volumes of Hopeless, Maine as well as The Blind Fisherman, this is one graphic novel you don’t want to miss out on! You can order it at your local book store or comics shop, or buy it online here (with free shipping to most civilized, uncivilized and not-civilized-at-all places around the globe:
I just received word yesterday that my copy is on it’s way, and with a bit of luck I will be spending Christmas on the island of Hopeless this year!
If you missed it, here’s the interview I did with the creative couple behind Hopeless:
Interview: Tom and Nimue Brown
Change for the worse
Here it is – finally – as promised and teased early last week:
“Welcome to Hopeless, Maine. An island steeped in evil—I mean—steeped in history.
Meet Salamandra, an ordinary orphan girl, just one of many other orphans on the island (come to think of it, where did all the grown ups go?)
Sal faces the normal, everyday struggles of growing up in a small town—avoiding fell creatures of the night, trying not to get eaten by the aquatic fauna and mastering her supernatural powers.
Like all young people, Sal can’t wait to get out of her dead-end home. If she doesn’t get out she probably will wind up dead, after all.
At least Salamandra has a best friend! It’s a shame that no-one else can see or hear her friend, but then nobody’s perfect are they?”
Created by Tom and Nimue Brown, published by Sloth Comics, and you can buy it online here:
Or why not pop over to your local comics store and ask for it?
If they do not already have it in stock (they should, and be sure to tell them so) I am sure they can order it for you!
(Did I mention it makes a great christmas present?)
Now excuse me while I go off to secure a copy for myself!
“The most fantastic thing about the present time is that we’re actually still here.”
Another day, another year, another lap around old Sol.
This past year has probably been among the best years of my life, despite all the tragedy and confusion taking place over the world. We lost a whole slew of Great Artists, the like of which I’m not sure humanity can produce still.
My life went from calm and carefree to super-busy and full of responsibility.
I know it’s cliché to say it, but parenthood really does change you in ways you can’t fully understand until you are there, holding a helpless little human who somehow managed to hijack your entire existence.
The journey of self-discovery and self-reconciliaton I began last year entered a new phase, and so did my creative pursuits.
As a result of everything else, the blog here had to take the back seat. But that’s okay. I started it mostly for myself, and even though I’ve managed to get some very loyal (and highly appreciated) followers I still write as much for my own sake add for anything else.
Life changes, but it keeps moving forward – relentlessly – until with a little luck we are too old to die young.
Dear Reader, when it rains it pours!
Last week saw the release of a new urban fantasy series, and this week sees a new edition of one of the most interesting comics I’ve come across – Hopeless, Maine by husband-and-wife creator team Tom and Nimue Brown – sees the light of day, released by Sloth Comics.
Now, what is Hopeless, Maine you may wonder? Well, I will do a full feature later in the week, when it’s been released, so for now I’ll just give you a little teaser:
Hopeless, Maine is more than just a name: it is a place (an island, to be exact), a graphic novel series, a wealth of stories (told as well as hinted at); it’s a mythology of it’s own, even. Tom and Nimue have created a wonderful world – one which I myself have really only begun to explore – rich with myth and mystery. Nimue’s writing is really brought to life by Tom’s gorgeous artwork, and together they create a very unique style which really fits the story they are telling. Hopeless, Maine is a creation that stands solid in it’s own right, and the feeling I get from it reminds me of those first forays into the fantastical worlds of people like Ursula Le Guinn, H.P. Lovecraft, Edgar Allan Poe and most recently Joe Hill. Yes, it’s that good!
In preparation for the launch I had the honour of doing a mini-interview with its creators, Tom and Nimue Brown:
Hopeless, Maine began its life as a webcomic – what were the principal reasons for bringing it to book form?
Tom: It was meant to be printed comics from the beginning, really. We just got impatient waiting for a publisher, mostly, and wanted to get the story out there. First, we started the Hopeless, Vendetta, which was a weekly “newspaper” from the island. This was a lot of fun and we had people coming and roleplaying island residents of their own creation in the comments section. Then, we launched the webcomic with The Blind Fisherman going up all at once and then pages weekly. It helped keep us going, and improved morale, greatly because people were commenting and theorising about the story and waiting for pages. Having the webcomic succeed as it did actually helped us land our first publisher, so it is a thing that I would recommend to people starting out in comics. Webcomics also has a great and vibrant community, and i’m glad we didn’t miss out on being a part of that.
Every creative team has their own unique approach to the work, so what’s the dynamic between the two of you? How does a typical project start, grow and develop?
Nimue: There’s an ongoing process of passing things back and forth, and bouncing things off each other. So, we don’t have a specific system, we talk about things, we wave ideas at each other. A lot of the best ideas come when we aren’t deliberately looking for them – when we’re out walking, particularly. We try not to spend too much in-bed time talking about work, but early on that happened more than it should have done. We both tend to get excited about /obsessive over whatever we’re working on, so the bigger issue is often holding boundaries so the projects don’t totally take over our lives! A big part of what makes us work as a creative team is that we are both excited about each other’s work, excited to see what the other one does with an idea or where it goes, so we throw things at each other in a really unstructured way and just let it happen. It’s a very fertile way of working, but it depends on high levels of trust and being on the same wavelength, and always being willing to let go of things to accomodate the other person’s vision when they’ve got the better idea.
Tom, you don’t ink your artwork – which gives it a unique, almost visceral style that I really admire – how has that changed the way you approach colouring?
Tom: Yes, i’ve fallen away from ink as a way of finishing art. I did the first two page spread for Personal Demons in rendered pencil and have not looked back, since. For colouring, well, in the early years of Hopeless, Maine I just used a very limited palette and saved the saturated colours for magic and emphasis. Brightly coloured pages would not have suited the story. All of this was done in digitally. Later i discovered that textures gave an organic and aged quality to the art. For Book two (Inheritance) we were living on a narrowboat with limited electricity so I used watered down acrylic transparently over the pencils to save on computer colouring time. From book four and onwards (and on the cover art for The Gathering) Nimue is doing the colours with posh coloured pencils over the roughs and i’m doing the finished rendering on top. (This is resulting in the best looking art so far, I think!)
Finally, who would you say are your greatest inspirations?
Nimue: Shared inspirations – Hayao Miyazaki, Clive Barker, Ursula Le Guinn, Margaret Atwood, Robert Holdstock, and many others. We’ve got a lot of enthusiasms in common, I think that’s part of why we’re so much on the same wavelength. It’s not just famous people – we are part of a fantastic circle of creative folk locally, and in the wider world through the internet, and they inspire us and keep us going, and we hope we do the same for them. Landscape and big skies are always a source of inspiration for us, we go dancing and bat watching, and we play music together and all sorts of things. We’re always looking for things that lift, engage, inspire us that we can share and immerse ourselves in. Both of us find being exposed to other people’s creativity – whether that’s on deviantart, or a story telling session, some else’s book, or a gig… that feeds us, and it makes us both want to keep doing the things.
Thank you Nimue and Tom, for taking the time to answer my questions.
There you have it, Dear Reader – I will post again as soon as Hopeless, Maine – The Gathering is available. The book is a re-release combining part one and two (Personal Demons and Inheritance, respectively) along with some new material and – for the first time in print, I believe – The Blind Fisherman. I can’t wait!
My reblog this week comes from A. J. Ashworth, from her blog series ‘Writers on Rejection’. This time she had interviewed the eminent Stephen Gallagher – check out what he had to say on the subject: